Night of the Living Dead: Amenta Abioto, Sage Fisher, Maxx Katz, and Portland Jazz Composers Ensemble score iconic 1968 film

PJCE CONTACT:
Douglas Detrick, Executive Director, douglas@pjce.org; 503-347-1416
PRESS CONTACT:
Kim Gumbel, Vespertine Works, kim@vespertineworks.com, 713-854-6162

portand-jazz-composers-ensemble-night-of-the-living-dead-banner.png

A trio of adventurous composers captures the ghoulish fun and the underlying anxiety that gave the first modern “zombie” film its staying power.


Portland Jazz Composers Ensemble continues to find innovative ways to connect music with people and to re-examine ways to bring culture and relevance to its audiences.
— Christina Rusnak, Oregon ArtsWatch

(PORTLAND, OR)—Portland Jazz Composers Ensemble (PJCE), in partnership with Holocene’s Fin Cu Cinema series and the Creative Music Guild, presents the iconic 1968 film “Night of the Living Dead” with a new live score composed by Amenta Abioto, Sage Fisher (aka Dolphin Midwives), and Maxx Katz for the city’s most adventurous jazz ensemble. On Thursday, October 25th at 8:30 pm the band will be on stage while the film is projected—with the original audio muted and English subtitles—on multiple screens around the Holocene’s two levels, with each composer scoring one-third of the film. Doors open at 7:30 pm. Tickets are $25 reserved seated, $15 general admission, and $10 for students and available at pjce.org/zombies and at the door. This event is 21+ only, and costumes are strongly encouraged. Night of the Living Dead is supported by funding from the Regional Arts and Culture Council’s Project Grant program.

In short:

  • Thursday, October 25th, 2018 @ Holocene, 1001 SE Morrison St, Portland, OR 97214.
  • 7:30 pm doors open, 8:30 pm show.
  • $25 reserved seated, $15 general seated/standing, $10 students.
  • 21+ only.
  • Tickets available at pjce.org/zombies and at the door.
  • Costumes encouraged.

1968 was a momentous year in the United States and across the world. The Vietnam War raged on, the Rev. Martin Luther King Jr. and John F. and Bobby Kennedy were assassinated, and Richard Nixon was elected president. This independently-produced, small-budget film received scathing reviews and sold poorly when it was released, but now, 50 years after it was made, the film has proven to have remarkable staying power. This film originated the modern “lore” of zombies, now well-known as reanimated dead people that eat living human flesh. Because of the graphic violence the film contained, it was the center of a heated debate about the merits of censorship in popular culture.

Roger Ebert wrote about the matinee he attended in 1968 where “the kids in the audience were stunned… The movie had stopped being delightfully scary about halfway through, and had become unexpectedly terrifying. There was a little girl across the aisle from me, maybe nine years old, who was sitting very still in her seat and crying.” Indeed, the film was shocking in 1968, though today it is tame compared to the graphic violence of today’s zombie tv show “The Walking Dead.”

PJCE's event will be partly a Halloween party, and costumes are encouraged. However, the project will also amplify the dark undertones of the narrative that are revealed when looking at the film with 2018 eyes. The female characters are weak and subservient to the male characters; the film’s black protagonist Ben valiantly leads a group of survivors in a small farmhouse but is discarded at the end of the film; and when the characters gather around radio and television sets to hear news reports about the attacking “ghouls” we can’t help but wonder—if the zombie apocalypse did come today, would the American public trust the information it was receiving from the government and the media?

 Sage Fisher. Photo by Paul Michael Schaefer.

Sage Fisher. Photo by Paul Michael Schaefer.

 Mazz Katz. Photo by Kristen Finn

Mazz Katz. Photo by Kristen Finn

 Amenta Abioto

Amenta Abioto

PJCE widens the notion of what a “jazz composer” does with this trio of composers who work on the fringes of jazz tradition. Sage Fisher, aka Dolphin Midwives, is a harpist, vocalist, and composer whose “looping delay-drenched harp and Björk-style vocal manipulations,” according to Willamette Week’s Wyatt Schaffner, create lush, otherworldly soundscapes. Amenta Abioto is a songwriter, singer, and multi-instrumentalist making hip-hop and R&B-inspired music with a ceremonial, experimental edge. Portland newcomer Maxx Katz, known for her improvisatory flute and guitar work as Floom, incorporates experimentalism from composers like Edgard Varese as much as death metal noise.

Portland Jazz Composers’ Ensemble is a twelve-piece jazz ensemble which commissions and performs original works by its members and by other jazz composers in the Portland music community and beyond. It is our mission to operate a large musical ensemble, to commission and perform original works by members of the ensemble and by other jazz composers in the Portland music community and elsewhere, to act as a forum for the development and presentation of works for large ensemble by established and emerging jazz composers, and to engage and enrich community awareness and appreciation of contemporary music.

Preview tracks and a full press kit including films and accompanying podcasts are available at pjce.org/zombies.

###